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Ancient Greek Portrait Sculpture Contexts, Subjects, and Styles Dillon Hardback

£72.69

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Ancient Greek Portrait Sculpture

Contexts, Subjects, and Styles

Offers a new approach to the history of Greek portraiture by focusing on portraits without names during the Classical and Hellenistic periods.

Sheila Dillon (Author)

9780521854986, Cambridge University Press

Hardback, published 24 April 2006

238 pages

28.5 x 22.2 x 1.9 cm, 0.922 kg

\""Portrait Sculpture. Context, Subjects, and Styles... is a great book. ...[I]t is hard to do justice to the many issues that it raises. All the more reason, I think, to use the volume in your next seminar on Greek and Roman portraiture.\""

-Peter Schultz, Concordia College, Bryn Mawr Classical Review

This book offers a new approach to the history of Greek portraiture by focusing on portraits without names. Sheila Dillon considers the few original bronze and marble portrait statues preserved from the Classical and Hellenistic periods together with the large number of Greek portraits known only through Roman copies. Thi]

Ancient Greek Portrait Sculpture Contexts, Subjects, and Styles Dillon Hardback

Ancient Greek Portrait Sculpture

Contexts, Subjects, and Styles

Offers a new approach to the history of Greek portraiture by focusing on portraits without names during the Classical and Hellenistic periods.

Sheila Dillon (Author)

9780521854986, Cambridge University Press

Hardback, published 24 April 2006

238 pages

28.5 x 22.2 x 1.9 cm, 0.922 kg

\""Portrait Sculpture. Context, Subjects, and Styles... is a great book. ...[I]t is hard to do justice to the many issues that it raises. All the more reason, I think, to use the volume in your next seminar on Greek and Roman portraiture.\""

-Peter Schultz, Concordia College, Bryn Mawr Classical Review

This book offers a new approach to the history of Greek portraiture by focusing on portraits without names. Sheila Dillon considers the few original bronze and marble portrait statues preserved from the Classical and Hellenistic periods together with the large number of Greek portraits known only through Roman copies. Thi]

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