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Shakespeare and the Authority of Performance Worthen Hardback 9780521551342

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Shakespeare and the Authority of Performance

How the idea of Shakespearean authority is still invested in the activities of directing, acting, and scholarship.

William B. Worthen (Author)

9780521551342, Cambridge University Press

Hardback, published 25 September 1997

268 pages

21.6 x 14 x 1.9 cm, 0.49 kg

'This is an eloquent, rewarding book, a stunning contribution to theatre and performance studies.' Barbara Hodgdon, Theatre Journal

How do our ideas about Shakespeare inform our understanding of the limits of performance? This stimulating book asks how both text and performance are construed as vessels of authority. The author finds that our understanding of Shakespearean performance retains a surprising sense of the possibility of being 'faithful' to Shakespearean texts, and so to 'Shakespeare'. After an opening theoretical chapter, Worthen examines the relationship between text and performance in directing, acting, and scholarship. He considers how some promin]

Shakespeare and the Authority of Performance Worthen Hardback 9780521551342

Shakespeare and the Authority of Performance

How the idea of Shakespearean authority is still invested in the activities of directing, acting, and scholarship.

William B. Worthen (Author)

9780521551342, Cambridge University Press

Hardback, published 25 September 1997

268 pages

21.6 x 14 x 1.9 cm, 0.49 kg

'This is an eloquent, rewarding book, a stunning contribution to theatre and performance studies.' Barbara Hodgdon, Theatre Journal

How do our ideas about Shakespeare inform our understanding of the limits of performance? This stimulating book asks how both text and performance are construed as vessels of authority. The author finds that our understanding of Shakespearean performance retains a surprising sense of the possibility of being 'faithful' to Shakespearean texts, and so to 'Shakespeare'. After an opening theoretical chapter, Worthen examines the relationship between text and performance in directing, acting, and scholarship. He considers how some promin]

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