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The Cambridge Introduction to Theatre Historiography Postlewait Hardback

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The Cambridge Introduction to Theatre Historiography

A 'how to' guide for students and teachers of theatre history, covering archival research, developing historical descriptions and writing reports.

Thomas Postlewait (Author)

9780521495707, Cambridge University Press

Hardback, published 30 April 2009

360 pages

23.4 x 15.2 x 2 cm, 0.69 kg

This Introduction - an indispensable 'how to' guide for students and teachers alike - investigates the methods and aims of historical study in the performing arts, from archival research to historical writing. Beginning with case studies on Shakespearean theatre and avant-garde theatre, this study examines fundamental procedures and problems in documentary history and cultural history. It demonstrates how historians not only construct various kinds of performance events but also place them in relation to the historical agents, the political and social conditions, artistic traditions, audience responses, and historical periods. Dra]

The Cambridge Introduction to Theatre Historiography Postlewait Hardback

The Cambridge Introduction to Theatre Historiography

A 'how to' guide for students and teachers of theatre history, covering archival research, developing historical descriptions and writing reports.

Thomas Postlewait (Author)

9780521495707, Cambridge University Press

Hardback, published 30 April 2009

360 pages

23.4 x 15.2 x 2 cm, 0.69 kg

This Introduction - an indispensable 'how to' guide for students and teachers alike - investigates the methods and aims of historical study in the performing arts, from archival research to historical writing. Beginning with case studies on Shakespearean theatre and avant-garde theatre, this study examines fundamental procedures and problems in documentary history and cultural history. It demonstrates how historians not only construct various kinds of performance events but also place them in relation to the historical agents, the political and social conditions, artistic traditions, audience responses, and historical periods. Dra]

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