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The Eighteenth-Century French Novel Techniques of Illusion Mylne Paperback

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The Eighteenth-Century French Novel

Techniques of Illusion

A study of the transition of the French novel from the seventeenth century, to the masterpieces of the eighteenth century.

Vivienne Mylne (Author)

9780521282666, Cambridge University Press

Paperback / softback, published 12 November 1981

304 pages

21.6 x 13.8 x 2.7 cm, 0.535 kg

This book deals with the ways in which the French novel of the eighteenth century marks a transition from the long, implausible and often clumsy works of the seventeenth century to the masterpieces of Balzac, Stendhal and Laubert. For her study, Professor Mylne has chosen works by Lesage, Prevost, Marivaux, Crebillon fils, Rousseau, Diderot, Laclos, Restif de la Bretonne and Bernardin de Saint-Pierre, and through her consideration of these particular authors she traces the development of the novelists' technique in the representation of life. She discusses, firstly, the theories and aims which conditioned the genre, such as the al]

The Eighteenth-Century French Novel Techniques of Illusion Mylne Paperback

The Eighteenth-Century French Novel

Techniques of Illusion

A study of the transition of the French novel from the seventeenth century, to the masterpieces of the eighteenth century.

Vivienne Mylne (Author)

9780521282666, Cambridge University Press

Paperback / softback, published 12 November 1981

304 pages

21.6 x 13.8 x 2.7 cm, 0.535 kg

This book deals with the ways in which the French novel of the eighteenth century marks a transition from the long, implausible and often clumsy works of the seventeenth century to the masterpieces of Balzac, Stendhal and Laubert. For her study, Professor Mylne has chosen works by Lesage, Prevost, Marivaux, Crebillon fils, Rousseau, Diderot, Laclos, Restif de la Bretonne and Bernardin de Saint-Pierre, and through her consideration of these particular authors she traces the development of the novelists' technique in the representation of life. She discusses, firstly, the theories and aims which conditioned the genre, such as the al]

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