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The Shakespeare Revolution Styan Paperback Cambridge University Press

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The Shakespeare Revolution

This is a succinct and finest history of Shakespeare studies in the nineteenth and twentieth centuries.

J. L. Styan (Author)

9780521273282, Cambridge University Press

Paperback / softback, published 29 April 1983

304 pages

21.6 x 13.8 x 2.6 cm, 0.4 kg

'J. L. Styan's 'revolution' is the recognition, first, that Shakespeare knew his stuff as a dramatist, and second, that the stage itself is the place to grasp the meaning of Shakespeare's plays. The parallel account given of the growth of the respect of critics for the theatre, and of the respect of directors for the play, is fruitful and interesting \u2026 Professor Styan has given us a fluent and succinct history of Shakespearean production and criticism in this century which should be useful to many readers, including students.' Philip Edwards, The Times Higher Education Supplement

How do our ways of perceiving and producing Shakespeare differ from those of the nineteenth century, and ]

The Shakespeare Revolution Styan Paperback Cambridge University Press

The Shakespeare Revolution

This is a succinct and finest history of Shakespeare studies in the nineteenth and twentieth centuries.

J. L. Styan (Author)

9780521273282, Cambridge University Press

Paperback / softback, published 29 April 1983

304 pages

21.6 x 13.8 x 2.6 cm, 0.4 kg

'J. L. Styan's 'revolution' is the recognition, first, that Shakespeare knew his stuff as a dramatist, and second, that the stage itself is the place to grasp the meaning of Shakespeare's plays. The parallel account given of the growth of the respect of critics for the theatre, and of the respect of directors for the play, is fruitful and interesting \u2026 Professor Styan has given us a fluent and succinct history of Shakespearean production and criticism in this century which should be useful to many readers, including students.' Philip Edwards, The Times Higher Education Supplement

How do our ways of perceiving and producing Shakespeare differ from those of the nineteenth century, and ]

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